SOCIAL MEDIA VIDEO PRODUCTION

We partner with internal marketing teams to produce high quality social content at volume, for both paid and organic channels. Our in house team of shooters, editors and producers plugs straight into your marketing team and delivers at speed, sized for every screen. We have made social campaigns for Nike, New Era, GWM and HoMie.
We partner with internal marketing teams to produce high quality social content at volume, for both paid and organic channels. Our in house team of shooters, editors and producers plugs straight into your marketing team and delivers at speed, sized for every screen. We have made social campaigns for Nike, New Era, GWM and HoMie.

capabilities

What we make for social

Social campaigns and paid ad creative

Reels, TikTok and YouTube Shorts

Batch content days, 6 to 15 videos per shoot

Hero films with cutdowns for every platform

Hooks, scripting and creative development

Captions, motion graphics and versioning

approach

Social media video production in Melbourne

We make social media video for brands including Nike, New Era, GWM and HoMie, along with work for Bonds, Baccarat, Salt and Pepper and Zero Latency.

Social gets treated as the easy end of video production. We do not see it that way. You have a couple of seconds to hold someoneโ€™s attention, and the work sits in the same feed as everything else they watch that day, so it has to be made properly.

We work with professional cast, brand staff or creators, and direct whoever is in front of the camera the same way we would on a commercial. We frame for vertical, square and landscape on set rather than fixing it in the edit, and because most social video is watched with the sound off, we make sure the story works on screen first, with captions doing the rest.

Every shoot leaves an archive. If you come back next year, the footage is catalogued and ready to cut.

If you want to see how a job runs from the first brief to the final files, here is how we run a production.

selected social work

client testimonials

โ€œThe team at Shotpro are fantastic to work with - professional, creative, great at collaborating, and the finished product is amazing. Couldnโ€™t recommend them enough for your next video project.โ€

โ€œWe recently worked with ShotPro to create a new promotional video for our business and they were absolutely fantastic. They were extremely easy to work with and produced an excellent final product. We will definitely be working with them again in the future.โ€

Jared BarnesHead of Video, REA Group
Elle AggMarketing Coordinator, Venus Citrus

โ€œThe team at Shotpro are fantastic to work with - professional, creative, great at collaborating, and the finished product is amazing. Couldnโ€™t recommend them enough for your next video project.โ€

โ€œWe recently worked with ShotPro to create a new promotional video for our business and they were absolutely fantastic. They were extremely easy to work with and produced an excellent final product. We will definitely be working with them again in the future.โ€

Jared BarnesHead of Video, REA Group
Elle AggMarketing Coordinator, Venus Citrus

Questions?

If your question is not covered here, get in touch and we will answer it directly.

If your question is not covered here, get in touch and we will answer it directly.

A content day is priced on crew, talent and how many setups we can fit in. Shooting in batches works out far better value per video than commissioning films one at a time, so that is usually where we start. You get a fixed quote before the day is booked.

Between 6 and 15, depending on locations, wardrobe changes and how simple each piece is. Changing location costs more time than changing the script, so we plan the day around looks rather than scripts.

Reels, TikTok, YouTube Shorts, LinkedIn and paid placements. Everything is framed on set for 9:16, 1:1 and 16:9 so nothing important is lost when the crop changes.

Either. Some clients bring a content calendar that needs producing properly, others bring a product and a deadline. We are happy writing hooks and scripts, and equally happy executing your team's ideas.

Usually 1 to 2 weeks from shoot day to delivered batch. When a campaign moment demands it we have delivered edits within 48 hours.

Yes. Most social video plays silent, so we design for sound off first: burned-in captions, SRT files and visual storytelling that works without audio.

Yes. We direct professional cast, brand staff and creators, and we have filmed athletes and musicians. Creators work best when the set adapts to them rather than forcing an ad process onto their style.

The finished videos are yours outright. Raw footage stays archived with us, and future cutdowns from the same footage cost a fraction of a new shoot. It is the cheapest content you will ever buy.

Send the brief or the calendar. We will tell you honestly how many videos a day can produce for your brand and give you a fixed quote.

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