DOCUMENTARY PRODUCTION MELBOURNE

We make short and long form documentaries, from creative passion projects to brand sponsored series. It is the ultimate form of storytelling: real people and real stakes, no script required. Recent work includes Sony Music, AFL, Summer Jam, Melons Australia and Hewison Private Wealth.
We make short and long form documentaries, from creative passion projects to brand sponsored series. It is the ultimate form of storytelling: real people and real stakes, no script required. Recent work includes Sony Music, AFL, Summer Jam, Melons Australia and Hewison Private Wealth.

capabilities

What we make in documentary

Branded documentaries

Brand story films

Doco series

Founder and origin stories

Cause and community stories

Short documentaries

approach

Documentary production in Melbourne

We make documentaries for brands and organisations, in Melbourne and wherever the story takes us. Recent work has taken us to Tokyo for Summer Jam and to regional New South Wales with Tourism Moree. Documentary clients include Sony Music, St Kilda Football Club, Tourism Moree and Hewison Private Wealth.

Most of the work happens before we pick up a camera: finding the story, getting the access, and spending enough time with people that they stop performing for the camera and just talk.

A branded documentary is held to the same standard as any other. It has to be a story worth watching even for someone who has never heard of the brand, and in our experience the brand comes off better when it stays in the background.

The hardest part is usually the edit. Deciding what the film is really about, and then cutting the scenes that do not serve it, even when they are good.

If you want to see how a job runs from the first brief to the final files, here is how we run a production.

selected documentary work

client testimonials

โ€œThe team at ShotPro are wonderful. They travelled to regional NSW for our local government project and worked with a range of community members to show off our town. Great directors - they really got the best out of our subjects.โ€

โ€œWe have been so fortunate to work with Shotpro Group on these projects. They absolutely nailed the briefs and weโ€™re incredibly proud of the final product.โ€

Vivien ClyneMarketing & Visitor Experience Manager, Tourism Moree
Ana RaicaExecutive GM, St Kilda Football Club

โ€œThe team at ShotPro are wonderful. They travelled to regional NSW for our local government project and worked with a range of community members to show off our town. Great directors - they really got the best out of our subjects.โ€

โ€œWe have been so fortunate to work with Shotpro Group on these projects. They absolutely nailed the briefs and weโ€™re incredibly proud of the final product.โ€

Vivien ClyneMarketing & Visitor Experience Manager, Tourism Moree
Ana RaicaExecutive GM, St Kilda Football Club

Questions?

If your question is not covered here, get in touch and we will answer it directly.

If your question is not covered here, get in touch and we will answer it directly.

Story dictates scale. A short single-subject film and a series with travel and several subjects are different jobs, so we scope each one on its own. Once we know the story, the access and the window you are working to, we quote it fixed, and series are priced per episode.

Longer than a commercial, and that is the point. 6 to 12 weeks is typical for a short film including research, access and interviews. Films that follow events as they unfold take as long as the story does.

A documentary a brand backs because the story deserves telling: an origin story, a cause, a community. The brand is present honestly, and done well it earns more trust than advertising can.

Research and trust before a camera appears. People only tell you the real thing once they believe you will treat it carefully.

As long as the story holds. Ours run from 90 seconds to 16 minutes.

Yes. Series formats often earn more attention than one long film, because each episode brings the audience back.

Both. Short documentaries built for social, and longer films made to be sat with. Same research, different amount of room in the edit.

The film plus trailers, cutdowns, vertical edits, captions and stills. Festival or broadcast masters delivered to spec where needed.

Tell us the story you think is there and who has access to it. The first conversation is usually about whether it is genuinely a documentary or better served as another format, and we will say so.

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